Laural’s current project is a commission from the Mark Taper Forum for one of four California Plays.  Along with playwrights Julie Myatt, Dan O’Brien, and Evangeline Ordaz, she is creating a piece about the cultural and political landscape of her home state, focusing specifically on the war between capital and labor at the turn of the 20th Century and the bombing of the Los Angeles Times in 1910. In summer of '14 and winter of '15 the Taper hosted in-house developmental workshops where Laural was able to collaborate with some of her favorite actors to devise material, movement and music related to union organizing, wage disparity, and the relative nature of justice.

In Fall of 2014, Laural’s original musical work Harry Thaw Hates Everybody ran at Berkeley's Shotgun Players under the direction of M. Graham Smith. The play, a true story centered on the Gilded Age collision between hedonism and poverty, made its highly acclaimed world premiere at the Los Angeles Theatre Center after a series of developmental readings in the Mark Taper Forum’s New Work Festival. Directed by Meade, Harry Thaw went on to win the Los Angeles Drama Critics’ Circle award for Best Writing, along with a variety of LA Weekly, Ovation and Garland awards and nominations for writing, directing, acting and design. The script was recently published by Samuel French.  

In Fall of 2012, Speeltheater Holland and Childsplay collaborated to bring the European version of Rock Paper Scissors, co-written and directed with collaborator Corey Madden, to the U.S. for a limited run in Arizona. In 2010, the play enjoyed a three-month tour throughout the Netherlands and Belgium in the under the auspices of Speeltheater. RPS was originally commissioned and produced by Childsplay in the Tempe, Arizona, where it was the recipient of a MAP Fund grant from the Rockefeller Foundation. A fully narrative, non‐verbal performance event, it explores the effect of technology on creativity by utilizing the theatrical and transformative possibilities of white paper. The piece toured throughout Arizona in 2009, playing to over 20,000 audience members of all ages and was the recipient of Zoni Awards for Best Production, Acting and Sound. 

From 2009-2011, Laural was a Core Member of the Playwrights' Center in Minneapolis. Her original play, The Suffragist Roadshow was developed there in 2009 and 2011 as part of the Ruth Easton Reading Series. Originally developed in the Mark Taper Forum writers' lab, the piece is a semi‐fictionalized account of a 1915 coast‐to‐coast roadtrip/publicity stunt undertaken by a group of radical suffragists. 

Other projects with the Mark Taper Forum include her original play Animal Logic (also conceived with Corey Madden), a vaudevillian trunk show about the emotional and cognitive abilities of animals which toured extensively throughout 2007‐08, concluding with a run at the Kirk Douglas Theatre; The Biggest Game of All, another piece for all ages, chronicling the true stories of young people involved in curbing the manufacture of sporting goods by children; and a variety of new play development directing and dramaturgy projects.

Meade also has a presence as an actor-singer in the Los Angeles theater community. She is the L.A. Choir Director for the Obie-award winning Secret City, a salon-happening-tent rival event that brings together creative people and their supporters under the rubric "we worship art." The Secret City, created and led by long-time collaborator Chris Wells, regularly rocks The Bootleg Theater, with Laural conducting a 20-member community choir. Most recently she was seen on stage at Largo at the Coronet, singing in the company of Philip Littel's The Wandering Whore for the Unsung Heros series curated by Inara George. Other performances include the new musicals Touch the Water with Cornerstone Theater Company, Robbie Weingarter Presents at the Bootleg and Atelier's Surf Orpheus at the Getty Villa. 

In addition to the MAP Fund/Rockefeller award, Laural has been the recipient of grants from the California Arts Council, the Flintridge Foundation, the Brody Fund, the National/State/County Partnership and the City of Los Angeles Cultural Affairs Department. In the early part of her career she worked in new play development at Los Angeles Theater Center (where she collaborated extensively with late directed Reza Abdoh) and A.S.K. Theater Projects (where she produced over 25 readings of new plays by local, national and international theater artists).

During and after this time she was also the Producing Director of two L.A. based-theater companies dedicated to the production of socially relevant new work. Among a variety of projects for The Butane Group, she wrote and directed Leopold and Loeb: A Goddamn Laff Riot. Named a critic’s pick by The Los Angeles Times and Back Stage West and the winner of a Garland Award for Best Writing, the piece made its premiere at Seattle’s On the Boards via a grant from Dance Theater Workshop. For Indecent Exposure she wrote, among others, The Wide Open Ocean, a musical vaudeville about Los Angeles charlatan/evangelist Aimee Semple McPherson, as a co-production with The Actors’ Gang, under the direction of Tracy Young.

Laural holds an MFA in playwriting from UCLA and a BA in theater from Occidental College, where she is currently a member of the theater faculty. Years after graduating, Laural returned as the Remsen Bird Guest Artist at Occidental, conducting writing courses, directing main stage productions, and guest lecturing in related departments. The residency became a full-time appointment and today Meade continues her work with students by teaching courses in playwriting, dramatic literature, theater-going and musical theater performance. Her research centers on new playwriting and devised work from divergent cultural and aesthetic backgrounds. Additionally, she mentors thesis projects, directs mainstage productions, and produces an annual festival of student-written plays directed and performed by guest artists from the Los Angeles theater community. Laural is also guest instructor at the University of Redlands and has worked as a guest lecturer at the USC School of Dramatic Arts Graduate Division, the California Institute of the Arts, the Ojai Playwrights Conference, and Cal State Los Angeles.

'15-'16 marks Laural's 18th year teaching at Occidental, and the fourth year of the Edgerton Foundation Theater Program at Oxy. Funded by a gift of $400,000 from the Los Angeles-based Edgerton Foundation, the program partners Oxy with local theater companies to provide a variety of new play development supports, including professional residencies, student internships, production underwriting, and tickets to local performances. Meade was recently promoted from Assistant to Associate NTT Professor.